REVIEW FOR ANA ISABEL’S NEW COMEDY ‘HOT FLUSH’
By Meredith Fuller OAM Psychologist & Author
What does Australian film need right now? Comedy starring female protagonists with a broad age range that features issues we are all affected by with a plausible ending everyone can learn from.
“HOT FLUSH. It’s quirky. It’s outrageous in parts and it also has some tender moments. In a world where there’s increasing negativity, hate and war, art adds hope to humanity whether it’s to escape, have a laugh, feel connected by feeling heard, seen, understood, and sometimes it’s just great to be entertained and laugh at silliness.”
For the director, screenplay writer, cinematographer, editor Tom Conyers, Hot Flush is about reinvention.
As he observes, “Few of us today will keep the same job, partner, or home our entire lives. To stay young, up- to-date, you have to keep on your toes.”
I recently enjoyed a private screening of HOT FLUSH for collaborators, cast and crew, a comedy about the high trending issue of growing older, menopause, sex, family dynamics, and how to make a living in a changing world. I was particularly impressed by this film that offers gutsy roles for older actors at a time when there is a paucity of significant roles for older females and males.
We follow the hilarious trajectory of two friends through menopause, divorce, finding work, and juggling their families in a series of mishaps, traumas, and unexpected outcomes.
The two main female leads are well matched for comedic skill, believability, and connection. The sight gags, the visual humour, the amusing dialogue, and their friendship form a duo we can empathise with from the initial scenes.
Writer, producer, and co-lead, actor Ana Isabel has created several films over her career – all funny and well received – but this is Ana at her riotous best. Our private audience laughed uproariously throughout the entire film. There were a few deft touches of pathos and fear, but this was mainly a cheeky feel-good experience that mapped the entire human condition (as experienced by a current Melbourne demographic).
Ana has a gift of pulling together an ensemble – in this case, a huge ensemble that incorporates diverse ages, gender, personalities, careers, and human inclusivity – that provides a surprising but true outcome. Her astounding networking ability delivers a broad range of venues for the actors to inhabit that includes gyms, op shops, mansions, hovels, shops, art galleries, and modes of transport. Ana has drawn her characters well (no doubt due to her other professional role as an educational psychologist) and leaves us with a satisfying ending for every main character.
Ana’s co-star Jeanne Snider is a comedic dream, you cannot take your eyes off her as her astute timing for unravelling, disintegrating, and falling apart is mesmerising. Ana and Jeanne are the linchpins that hold this extensive cast together.
Director, cinematographer, and editor Tom Conyers is masterful in delivering his craft –whether comedy, sci fi, and drama. Scenic Melbourne is captured as artfully as the raw emotions of each actor. His screenplay, editing, colour matching, quirky additions, and vision is superb.
Musician Frank Carter wrote the theme song that his band performs in the film; as Kylie attests, “you can’t get it out of your head”. As we stood up to leave, people were humming and singing ‘Hot Flush’ sung by the exquisite Tess Scott and accompanied by Frank Carter band.
Proving flexibility, HOT FLUSH can be a stand-alone film (although I would recommend an edit to make it 1 hour 30 mins – take off 13 mins), a two-parter, or an ongoing series.
The film featured female, male and gender diverse actors who viewers will recognise from their TV and theatre roles.
There were several cameos that stood out – Fiona Crombie, shop owner, was chilling. Director Tom Conyers filled the frame with her malevolent face. Scarey! Superlative acting.
Paulene Gibson is a versatile actor who nailed her role, as did John McCulloch. Belinda Aitken does a great job as a vixen with wheels.
Greg Pandelidis as ‘Nick’ the traditional Greek father and Izzy’s ex-husband, and Antonios Baxevanidis as Yiannis, his father were both brilliant.
Izzy’s mother-in-law Pauline Argyropoulos “Roula (Yiayia)” was magnificent – she was mesmerising. I would love to see more of her in films.
I am looking forward to seeing this film (or series) grace our screens. We really need the hope and joy that this film offers
Feedback indicates that Hot Flush will appeal to all ages and demographics: a few unsolicited comments
Chloe (20)
I wasn’t bored once!! It was all so brilliant and funny. Enjoyed every moment.
Lisa (56)
Enjoyed the movie, great storyline and cast!
Melissa, (47).
Hot Flush is an incredible piece of relatable art. Providing narrative therapy to the audience, truthful and authentic storytelling at its best. I was moved to tears through deep character development and emotional intelligence. This movie deserves to be seen my large audiences across the globe.
Rose Lerner (70)
The film was fabulous! Very clever, funny, quirky-loved it!
Interview with Ana Isabel
How did this quirky film come about?
“Hot Flush began with a creative yearning. I have been writing, producing, and acting in multiple film projects since 2019. The last film, ‘Oz Linked’ was a widely acclaimed series, winning multiple awards. But I longed for a dream role with a dazzling script that women could relate to; a role for a middle-aged woman in a story full of heart and laughter, reflecting contemporary themes with meaning, and respect for diversity in Australia today.”
How did you find a co-lead to match you?
“In 2020, looking for inspiration, I played the lead role in a local theatre production of Calendar Girls and met my co-lead Jeanne Snider. We had palpable chemistry on stage and became fast friends. Through Covid lockdown, I evolved the concept and characters. Jeanne contributed to the development and helped to keep the dream alive. We both focussed on creativity and companionship during those long Covid days!”
The two co-stars are friends who traverse the complexities of middle age, loss of partners, problems with children and relatives, and coping with lack of income – I’m sure viewers can identify with these universal themes. Can you describe the two lead characters; you as ‘Issy’ and Jeanne as ‘Cynthia’ ?
“The two lead characters reflected their mutual shadow personalities. Izzy is an artistic, creative earth mother with wavering confidence. Cynthia is a successful and forthright American socialite who is vulnerable beneath the façade.”
You have ensured that the film incorporates key themes of multi-culturalism, LGBTQ, disability, ageism, and of course, female empowerment. Your deft handling of generational differences in families is clever – never predictable or stereotyped. How have you managed to find so many talented actors to encompass the range you required?
“I have a strong industry network throughout Melbourne. Prioritised diversity, I began recruiting actors, technical crew, and musicians early for my pilot plan. This required extensive casting searches, along with cultural, disability (One of the key characters is a wheelchair user, played by a disabled actor, ensuring authentic representation of disability on screen) and LGBTQ research and consultation. This resulted in a multi-racial cast and crew, ages from 1 – 80, and varied sexual preferences. There was particular attention to the development of a character with a disability, that was ultimately portrayed as powerful and influential, breaking common stereotypes.”
Your director, Tom Conyers, is an amazing auteur. How did you recruit him?
“When it came time to find a director, I wanted someone who would bring both creative rigour and collaboration to the project. I approached filmmaker Tom Conyers, because he is known for his distinctive and character-driven storytelling. After a long walk with our dogs, Tom was hooked. He elevated the script with sharper humour, added quirks and complexities to the leads, expanded supporting roles with witty banter, and enriched the world with unique, amusing minor characters. He also introduced surprising twists and a deeply satisfying resolution.”
This began as a pilot?
“The story grew so expansive that the project naturally evolved into a feature film. There was soon a surplus of eager and enthusiastic cast and crew. And now we had a feature film! “Hot Flush” was born. With a dedicated and diverse ensemble, Hot Flush became a labour of love — an energised, joyous production marked by creativity, discipline, and camaraderie.
Timeframes and budgets were honoured, setbacks were minimal, and pride in the work was universal.”
Your fervent wish has transformed into a clever, contemporary, and significant film. Hot Flush is funny, moving, and uplifting — a celebration of diversity, resilience, and the power of female friendship and reinvention. It is a proudly Australian story with global resonance, ready to charm audiences both here and abroad.
Anything else it would be good to know?
“I want to acknowledge my main production collaborator, Tom Conyers. What began as a pilot episode ultimately became a two-hour feature film under his direction and work. Tom served as director, DOP, editor, artist, and many other roles, dedicating thousands of hours over the past three years. For that, I’m deeply grateful. Like any creative project, there were some tough moments along the way, but we pushed through and got there in the end. That’s the reality of filmmaking and teamwork and I’m thankful we made it happen.
I also want to acknowledge the enormous amount of hours and commitment that Natalie Mahto production manager has put in with heart and soul. She took over from original production manager Josephine Croft (Thank you as well, for all your wonderful work and advise). Nat took to production managing like a duck to water. As with any indie film many of the roles double up or triple up and morph into many roles. Anything from getting the schedule ready, (which she has become an expert in delving into First AD), call sheets, communicating with all cast and crew, catering make up hair set design set dressing props this woman doesn’t miss a thing and she does it with heart the one of the roles in particular was called “Ana wrangling”. I can get overexcited and off track in 100 million directions and Nat has a way of reeling me back with love and kindness. She’s amazing at getting all my ideas, scribbled on paper into CANVA too amongst many other things. I am honoured to call her a dear friend. Thank you.
Chris Teh, THE CHIS THE. Inside joke. Seriously though, this man is the kindest, most generous selfless human you can meet and I am so honoured that we crossed paths. Again, anything from gaffer, runner, chocolate bringer, and amazing executive producer. Best Boy indeed. Oh and he tells some funny witty jokes too.
Once I started to develop the concept and characters for Hot Flush and Jeanne auditioned for the role of Cynthia via zoom from New York!! Tom and I were convinced we had our Co-star. Jeanne eventually also contributed to the development and helped to keep the dream alive. Thank- you Jeanne for being a wonderful co-star and friend, also allowing us all into your home as one of the filming locations as well as becoming executive producer.
Hot Flush had a shaky beginning. At least 3 different directors pulled out for varying reasons, but everything seemed to fall into place in early 2023. With a strong and committed production team, auditions were held. It was during this time that Greg Pandelidis came into my life. (Thanks to another cast member Antonios who recommended him to audition) Our friendship grew out of laughter and many things in common and eventually developed into a romantic relationship. Thank -you Greg for all the creative adventures, love and laughter so far. Looking forward to many more adventures together and we have some exciting things unfolding, including a major sea change.”
I spied Marty Rhone doing a fabulous role as a friend, ‘Gary’ who wanted more, and he also sings at the conclusion. He was so funny as a rejected suitor. For a former heart throb in real life, who could have imagined that he had the acting chops to pull that poignant role off! What inspirational casting!
“ Music is important in HOT FLUSH. In addition to Frank Carter, Tess, and his band, I wanted to acknowledge seasoned professional artist Marty Rhone. Talented singer and musician that many of you might remember from countdown days where he was often in the top 10 and has had an amazing career for six decades still going strong turning his talents to acting as well. There is also a wonderful treat at the end of hot flush with one of his original songs so very grateful to you Marty for allowing us to use it. Another quick thank you to Alethia. A young up and coming superstar and talented musician originally from Colombia also a talented actress. Hot flush has a treat within it with one of her songs as well.”
MAIN CAST and CREW: HOT FLUSH
Tom Conyers Director/Scrreenplay/Editor Thunder, La Tom Conyers Writer La Familia
Ana Isabel Writer Inseparable, Oz Linked Ana Isabel Wall Producer Oz Linked, Rotate, Heritage, Home
Ana Isabel Key Cast “Izzy” Neighbours, Dr Blake, Offspring, Thunder, La Familia, Oz Linked, Little Diva Rising
Jeanne Snider Key Cast “Cynthia”
Marty Rhone Key Cast “Gary” Harrow, Wentworth, Godspell, The King and I, Denim and Lace top 10 music charts
Paul Dawber Key Cast “Charles” Son’s and Daughters, The Novelist, Neighbours, Special Squad
Greg Pandelidis Key Cast “Nick” Jack Irish, Neighbours, Hunters, Utopia
John McCullough Key Cast “Gordy” Blue Heelers,
Worth Day Straube Key Cast “Art Student, Bar” Lost Thread, Heritage
Josephine Croft Key Cast “Iris” Telepathy, Inanimate Objects, Neighbours
Serkon Tokgoz Key Cast “Koa” High Country, Gallipoli
Chris Teh Key Cast “Oillie” Producer, Crew assist
Antonios Baxevanidis Key Cast “Yianni (Papou)” Still Flowing, The Debt Collector
Eleni Modinos Key Cast “Carla”
Grant Young Key Cast “Brock” Ceebs, Wanda and Sully
Matt Jackson Key Cast “Noah” Vendetta, The Plague Doctor
Fiona Crombie Key Cast “Shop Owner” Yesterday Island, The Waiting Room
Daniel McBurnie Key Cast “Liam”
Paulene Gibson Key Cast “Wendy” Wentworth, La Famiglia
Luke Styles Key Cast “Sebastian” Swift Street, Beyond the Boundary, Thunder
Diviya Mahto Key Cast “Maddi” Heritage
Karen S Yee Key Cast “Customer” Knee High Spies, Free Money
Sophie Thurling Key Cast “Tegan” The Faceless Man, We need to talk, Residence
Chris Papadopoulos Key Cast “Athan (Waiter)” Barry Clearskins Harlene Hercules Key Cast “Anastasia” Oz Linked, Utopia
Val Spark Key Cast “Op Shop lady”
Belinda Aitken Key Cast “Julia” The Wheelhouse, Ricky Staticky
Laura Joy Arain Key Cast “Kelly” Barry Clearskins, I Wanna Be Famous
Pauline Argyropoulos Key Cast “Roula (Yiayia)” By No Means
Jennifer Rose Key Cast “Annoying Customer” Lyn Backwell Key Cast “Celeste”
Makai Plummer Key Cast “Max”
Mark Boyes Key Cast “Lone man”
Lara Della Rocca Key Cast “Photographer”
Gabriel Papanikolaou Key Cast “Theo”
Eleni Karandinas Key Cast “Nellie”
Ramone Caputo Key Cast “Ramone”
Luke Siu Key Cast “Sunny” Andreia
Dalia Key Cast “Dimi”
Frank Carter Music Composer Rotate
Tom Conyers DOP La Familia, Thunder
Stuart Jaymes Cinematographer second Rotate, Once Upon a Midnight, I’m An Actor, Oz Linked
Ana Isabel Wall Costume Designer Oz Linked,
Natalie Mahto Costume Designer Rotate,
Ana Isabel Wall Set Design Rotate
Natalie Mahto Set Design Rotate Ana Isabel Wall Casting Oz Linked, Rotate
Tom Conyers Editor La Familia
Ana Isabel Wall (GLAMM Productions) Producer Oz Linked, Rotate, Heritage
Caleb Lindner Sound Design Hot Flush
